CHURCHES AND CHAPELS
As with most stained glass designers of my generation and for centuries before, this formed the majority of my output.
It demanded some biblical awareness, an understanding of light and colour, a respect for architecture of the past and present but it also faced the involvement of a client, which could be either a boon or burden.
A scholarship to study glass in Europe in 1957 revealed just how dormant our native stained glass had become after the war particularly when compared with France and the Low Countries and following this tour designing glass was given new life.
CONVENT LEWISHAM